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Ensemble Ricreation d’Arcadia was formed by four leading Japanese musicians who regularly play with several baroque ensembles and orchestras in both Europe and Japan. The group’s aim is to explore the diverse instrumental and vocal music of the 17th and 18th centuries, particularly focusing on the vast repertoire for the “trio sonata”. In 2004 they won the first prize at “Premio Bonporti” (President of Jury: Gustav Leonhardt) and also received the Audience prize and ORF recording prize.
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Ensemble Ricreation d'Arcadia
Brunnenthal, Austria
Barockkirche Brunnenthal bei Schärding/OÖ
14th August (Sun) 2011, 19:30
Johann Gottolieb Goldberg and musicians in the Dresden court
Johann Gottlieb Goldberg (1727-1756)
Trio Sonata C-dur
Adagio - Alla breve – Largo - Gique (Presto)
(formally attributed to J. S. Bach, BWV 1037)
Rupert Ignaz Mayr (1646-1712)
Trio Sonata d- moll
I. [ ] – II. Adagio – III. [ ] – IV. Adagio – V. Adagio – IV. Da capo
(Paris Bibliotheque national, Rés.Vm7 653: Codex ROST, no. 136)
Antonio Vivaldi (1668-1741)
Grave- Recitativo
from Violin concert RV 208 “Grosso Mogul”
A. Vivaldi
Trio sonata op.1-12 “La Follia”
Suonate da camera a 3, op.1 (Venice, 1705)
- Pausa -
Johann Jacob Froberger(1616-1667)
Fantasia sopra UT RE MI FA SOL LA (Libro Secondo, 1649) orgel
J. G. Goldberg
Trio Sonata a-moll
Adagio – Allegro (fuga) – Alla Siciliana – Allegro assai
Johann Sebastian Bach (1685-1750)
Vierzehn Kanons
Über die ersten acht Fundamentalnoten der Aria aus den “Goldberg-Variationen” BWV 1087
1. Canon simplex – 2. all’roverscio – 3. Beede vorigen Canones zugleich, motu recto e contrario – 4. motu contrario e recto – 5. Canon duplex à 4 – 6. Canon simplex über besagtes Fundament à 3 – 7. Idem à 3 – 8. Canon Simplex à 3, il soggetto In Alto – 9. Canon in unisono post semifusam à 3 – 10. Alio modo, per syncopationes et per ligaturas à 2, Evolutio – 11. Canon duplex Übers Fundament à 5 – 12. Canon Duplex über besagte Fundamental- Noten à 5 – 13. Canon triplex à 6 – 14. Canon à 4 per Augmentationem et Diminutionem
J. G. Goldberg
Trio Sonata B-dur
Adagio – Allegro – Grave – Ciacona
Johann Gottlieb Goldberg and musicians in the Dresden court
Johann Gottlieb Goldberg (1727-1756)
Trio Sonata C-dur
Adagio - Alla breve – Largo - Gique (Presto)
(formally attributed to J. S. Bach, BWV 1037)
Nicola Porpora (1686-1768)
Sonata III in Sol maggiore
Adagio – Allegro – Adagio
staccato – [no indication]
Six Sonatas for two Violoncellos and two violins with a Thorough bass for the harpsichord compos’d by Sig. Nicolo Porpora [sic.] and Sig. Gio. Batta Costanza. (London, 1745)
Antonio Vivaldi (1668-1741)
Grave- Recitativo
from Violin concert RV 208 “Grosso Mogul”
Antonio Vivaldi
Trio sonata op.1-12 “La Follia”
Suonate da camera a 3, op.1 (Venice, 1705)
- pausa –
J. G. Goldberg
Trio Sonata a-moll
Adagio – Allegro (fuga) – Alla Siciliana – Allegro assai
Carlo Farina (c. 1604-1639)
Sinfonia Quarta per sonare con doi violini over cornetti
Sinfonia Sesta per sonare con doi violini over cornetti
Il terzo libro delle pavane, gagliarde, brand: mascherata, arie franzese, volte, corrente, sinfonie, a 3–4, bc (1627)
Balletto Primo
Libro delle pavane, gagliarde, brand: mascharata, aria franzesa, volte, balletti, sonate, canzone, a 2–4, bc (1626)
Johann Sebastian Bach (1685-1750)
Vierzehn Kanons
Über die ersten acht Fundamentalnoten der Aria aus den “Goldberg-Variationen” BWV 1087
1. Canon simplex – 2. all’roverscio – 3. Beede vorigen Canones zugleich, motu recto e contrario – 4. motu contrario e recto – 5. Canon duplex à 4 – 6. Canon simplex über besagtes Fundament à 3 – 7. Idem à 3 – 8. Canon Simplex à 3, il soggetto In Alto – 9. Canon in unisono post semifusam à 3 – 10. Alio modo, per syncopationes et per ligaturas à 2, Evolutio – 11. Canon duplex Übers Fundament à 5 – 12. Canon Duplex über besagte Fundamental-Noten à 5 – 13. Canon triplex à 6 – 14. Canon à 4 per Augmentationem et Diminutionem
J. G. Goldberg
Trio Sonata B-dur
Adagio – Allegro – Grave – Ciacona